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iLAND

Interdisciplinary Laboratory for Art Nature and Dance

ArtsPool Member
  • About
    • iLAND
    • Jennifer Monson
    • Board of Directors
    • Funders
  • Dance Projects
    • move thing
    • Choreographies of Disaster
    • ditch
    • bend the even
    • in tow
    • IN TOW TV
      • IN TOW TV – Season 1, Episode 1: Kaleidoscope
      • IN TOW TV – Season 1, Episode 2: Nibia Line A
      • IN TOW TV – Season 1, Episode 3: Nibia Line B
      • IN TOW TV – Season 1, Episode 4: Fabric | Time Experiment
      • IN TOW TV – Season 1, Episode 5: Shrugs with balls-5:3
      • IN TOW TV – Season 1, Episode 6: Drawing Overlay
      • IN TOW TV – Season 1, Episode 7: In Out Cut 5:3
      • IN TOW TV Season 1, Episode 8: OUT-OUT-IN-IN-IN-OUT-OUT-IN-OUT-IN
      • IN TOW TV Season 1, Episode 9: Composite | Line
      • IN TOW TV Season 1, Episode 10: Flipping the Firmament | Flesh
      • IN TOW TV – Season 1, Episode 11: Perspective | Tone
      • IN TOW TV – Season 1, Episode 12: T | I | M | E
      • IN TOW TV – Season 1, Episode 13: Time + Tone | Tide Score B
      • IN TOW TV – Season 1, Episode 14: Time + Tone | Tide Score A
      • IN TOW TV – Season 1, Episode 15: Bells Long
      • Bonus Episode! Season 1, Episode 16: Video Perspective
    • Past
  • A Field Guide to iLANDing
    • Guía de campo de iLANDing
  • iLAB Residencies
  • iLAND Symposium
  • Resources
    • A Field Guide to iLANDing
    • BIRD BRAIN Educational Resource Guide
  • iLANDing Laboratories

Kathy Creutzburg

Kathy Creutzburg is a public artist who has used the landscape to inspire her sculpture and mixed media installations at the Figment summer-long sculpture garden on Governors Island, Kenkeleba House sculpture garden, Abrons Art Center, Michael Mut Project Space, and the Brooklyn Children’s Museum. Her recent restoration of public artworks originally created by herself and other artists at PS61M showcases her abilities as a designer, fabricator, and facilitator.

Embodied Mapping

April 4, 2017 by

Embodied Mapping forged connections across scales of public and private. The residency connected communities by creating a mapping system that uncovered hidden synchronicities, intersections, and potentialities about the neighborhood that are not readily apparent or accessed at the street level. The collaborators’ process included charrettes, collecting, book making, and other ways of experimenting with mapping through the body. These practices derived from architecture, oral history, visual arts, performance, and dance.

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