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iLAND

Interdisciplinary Laboratory for Art Nature and Dance

ArtsPool Member
  • About
    • iLAND
    • Jennifer Monson
    • Board of Directors
    • Funders
  • Dance Projects
    • move thing
    • Choreographies of Disaster
    • ditch
    • bend the even
    • in tow
    • IN TOW TV
      • IN TOW TV – Season 1, Episode 1: Kaleidoscope
      • IN TOW TV – Season 1, Episode 2: Nibia Line A
      • IN TOW TV – Season 1, Episode 3: Nibia Line B
      • IN TOW TV – Season 1, Episode 4: Fabric | Time Experiment
      • IN TOW TV – Season 1, Episode 5: Shrugs with balls-5:3
      • IN TOW TV – Season 1, Episode 6: Drawing Overlay
      • IN TOW TV – Season 1, Episode 7: In Out Cut 5:3
      • IN TOW TV Season 1, Episode 8: OUT-OUT-IN-IN-IN-OUT-OUT-IN-OUT-IN
      • IN TOW TV Season 1, Episode 9: Composite | Line
      • IN TOW TV Season 1, Episode 10: Flipping the Firmament | Flesh
      • IN TOW TV – Season 1, Episode 11: Perspective | Tone
      • IN TOW TV – Season 1, Episode 12: T | I | M | E
      • IN TOW TV – Season 1, Episode 13: Time + Tone | Tide Score B
      • IN TOW TV – Season 1, Episode 14: Time + Tone | Tide Score A
      • IN TOW TV – Season 1, Episode 15: Bells Long
      • Bonus Episode! Season 1, Episode 16: Video Perspective
    • Past
  • A Field Guide to iLANDing
    • Guía de campo de iLANDing
  • iLAB Residencies
  • iLAND Symposium
  • Resources
    • A Field Guide to iLANDing
    • BIRD BRAIN Educational Resource Guide
  • iLANDing Laboratories

Tatyana Tenenbaum

Tatyana Tenenbaum is a choreographer and composer whose work explores the phenomenal space of the singing body. Her interdisciplinary practice has been influenced by: NYC’s Contact Improvisation community at large, DIY organizing, CLASSCLASSCLASS, the work of Yoshiko Chuma, Daria Fain & Robert Kocik, Jennifer Monson, and numerous peers.

Live Dancing Archive

April 4, 2017 by

Live Dancing Archive Volume I premiered at the University of Vermont in October of 2012 and was performed at The Kitchen, NYC, NY; Krannert Art Museum, Urbana, IL; Chicago Humanities Festival, IL; and Columbia College Improvisation Festival, Chicago, IL in 2013.

For the web-based archive of this project, see the website here.

Choreography: Jennifer Monson
Music Composition: Jeff Kolar
Lighting and Stage Design: Joe Levasseur
Costume Design: Susan Becker
Video Installation: Robin Vachal
Digital Archive: YoungJae Josephine Bae
Production Manager: Davison Scandrett
Dramaturgy: Betsy Brandt

Live Dancing Archive Volume II
Performers: Niall Jones, Jennifer Monson, Tatyana Tenenbaum. Photo Credit: Valerie Oliveiro

Live Dancing Archive Volume II was premiered at New York Live Arts, October 2014,  and at The Richard B. Fisher Center for the Performing Arts at Bard College, as part of THE HOUSE IS OPEN- a pop up installation and performance  event, November 2014

Choreography: Jennifer Monson
Performance: Jennifer Monson, Niall Jones, Tatyana Tenenbaum, Valerie Oliveiro
Music Composition: Jeff Kolar
Lighting and Stage Design: Joe Levasseur, Valerie Oliveiro
Costume Design: Susan Becker
Video Installation: Robin Vachal
Digital Archive: YoungJae Josephine Bae
Production Manager: Davison Scandrett

Selected Press:

Artist to Artist Talk: Jennifer Monson and DD Dorvillier on the body as archive

‘Bird of a Feather’, Brooklyn Rail Review – Cassie Peterson

‘Bringing Nature Inside With Space and Light’, New York Times Review – Siobhan Burke

Live Dancing Archive at the Chicago Humanities Festival 

‘Improvising, a Mover Lets You See Her Think’, New York Times Review – Gia Kourlas

‘Migrating Back to the Wilds of the Stage’, New York Times Feature – Brian Siebert

‘The Body as an Object of Interference: Q + A with Jeff Kolar’, Rhizome – Maura Lucking

New York Times, Dance Listings – Rosalyn Sulcas

Jennifer Monson, ‘Master Improviser’, Dance Magazine – Wendy Perron

‘Exposed in Flight’, Danceviewtimes – Martha Sherman

The New Yorker, Listing

Interview with Jennifer Monson, The Dance Enthusiast – Trina Mannino

WNYC Radio Broadcast – Brian Siebert

Time Out NY, Critics Pick – Gia Kourlas

American Realness, New York Times Review – Alastair Macaulay

____________________________________________________________________________ 

Live Dancing Archive Volume I proposes that the body has the possibility of archiving and revisiting multiple scales of experience. Specifically, Monson looks at how experiences of environment and ecological dependencies are registered through physical movement. Live Dancing Archive negotiates and explores what a queer ecology might offer for dancing bodies and rapidly shifting conceptions of place. Furthermore, the piece looks at how Monson’s navigation of her own queer, feminist and animal-like body has shaped relationships to cultural and social phenomena.

The choreography draws upon more than a decade of Monson’s own dance-based environmental research, particularly her 2002 piece BIRD BRAIN Osprey Migration, an eight-week dance project and tour along the Atlantic Flyway, the bird migration route that extends from the northern Atlantic Coast to South America. The video installation and digital archive elements of the piece query the process of archiving as well as the shifting nature of dance, and environmental phenomena.

Vachal’s installation distills 50 hours of video documentation from BIRD BRAIN into a three-hour single channel video loop. The video addresses duration, sensation and multiple scales of movement, while providing an alternative perspective into the creative research process, performances, workshops, and community engagements of the extensive tour. Bae collaborated with Monson to make the web-based archive, www.livedancingarchive.org, Monson hopes the site will make a meaningful contribution to contemporary discourses about archiving dance and environmental projects.

Kolar uses the electro-magnetic spectrum of radio frequencies to compose an indeterminate score that intensely alters our perception of the space. Levasseur continuously reshapes the visual experience of the space by shifting a mobile horizon line and a range of lights in response to the spaces generated by Monson’s movement. Becker’s costumes allow Monson to transition from human to phenomenon, space invader to pop star, heroine to pedestrian, and bird to rock.

Live Dancing Archive Volume II expanded the investigation of the body as archive by transmitting the dance knowledge of Live Dancing Archive Volume I to Niall Jones. Valerie Oliveiro and Tatyana Tenenbaum. How does the work transform as it moves through and with different dancers?

The addition of the new collaborators highlights the infinite possibilities of archiving indeterminate systems and explores the creation of novel ecosystems – a term borrowed from environmental science. Novel ecosystems “differ in composition and/or function from present and past systems”

 

 

This program is made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and additional funding from The Andrew W. Mellon Foundation. Also supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Support for dance programs at The Kitchen is provided by Mertz Gilmore Foundation, The Jerome Robbins Foundation, The Harkness Foundation for Dance, and with public funds from the New York City Department of Cultural Affairs and the New York State Council on the Arts, a state agency. Additional support provided by a Creative Research Award and Research Board Grant from the University of Illinois of Urbana Champaign and the Marsh Professorship at Large program at the University of Vermont.

Fallow Time

May 27, 2014 by

Movement Research Spring Festival in Collaboration with iLAND

Tuesday May 27 – Monday June 2

fallow time was curated by Elliott Maltby, Jennifer Monson, Aisha Ohs, and Tatyana Tenenbaum in partnership with the Movement Research Spring Festival. iLAND Symposium events included a workshop and performance with Through Earth, Through Body, Through Speech at Flushing Meadows Park and the Queens Museum and Sensing to Know/Analyzing to Imagine: a talk and walk exploring the dual perspective of the artist-scientist with artist scientists Amy Berkow, Kathleen McCarthy, Jason Munshi-South and Hara Wolz. The symposium also included two days of fallow time at Floyd Bennett Field, Gateway National Recreation area camping site.

For more information check out the Fallow Time Brochure or the Movement Research website.

 

Curatorial Statement

A fallow field is one that is plowed – it is prepared but then left open. fallow time is a festival that invites emptiness or the unanticipated. The festival is prepared space and time for open action, or inaction, to take place. It creates a platform for participation, intergenerational meetings and intersectionality to support all bodies in their creative potential. We are providing time for concrete and insubstantial ideas to be tested, to take hold and grow…or fail. fallow time is a time of rest, where unexpected actions and materials make contact and allow for new forms and systems to flourish: a chance for us to be together that is not dictated by any need to produce. The festival examines both urban ecologies and artistic production in our society. Inviting the multiple meanings of sustainability to rub against a range of creative practices, we will enact scenarios for thriving in our increasingly unpredictable environment. fallow time allows us to ground ourselves and to recuperate the values that are so central to dance: the values of the body to listen, feed, touch, see, taste, deliver, heal, digest, produce, die.

Overview

Tuesday May 27 – 11-6pm – Flushing Meadows Corona Park and the Queens Museum – Free

Through Earth, Through Body, Through Speech Join Fantastic Futures and Jason Munshi-South for the workshop and per formance listed below, a continuation of their summer 2013 iLAB residency in Flushing Meadows Corona Park and Willets Point. The collaboration uses a cross-pollination of ar tistic practice and scientific method to engage the local community in a conversation around personal and family histories of the park and their visions of the park’s future.

Workshop – 11am-3pm

Meet at the north end of the Unisphere. Rain or Shine.

A movement and mapping exercise based on Munshi-South’s study of white-footed mice, “Urban landscape genetics: canopy cover predicts gene flow between white-footed mouse (Peromyscus leucopus) populations in New York City.”

A light informal lunch will be provided. Activities are appropriate for all ages.

Performance – 4-6pm

In the Queens Museum of Art A multi-channel sound installation and per formance that represents the scientific concept of an urban to rural gradient. Field recordings of the park are layered with interviews in which visitors are asked to express their memories and hopes for the park, and with a spoken narrative from a mouse’s perspective based on urban landscape genetics. participants in both workshop and performance: Fantastic Futures (Julio Hernandez, Huong Ngo, Phuong Nguyen, Solgil Oh, Sable Elyse, Or Zubalsky) and Jason Munshi-South.

For additional information for Tuesday’s events, email info@ilandart.org or call 917-860-8239.

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